Plate XVI - Metropolitain - Rue de Rivoli ...
My favourite period of design has to be the early twentieth century for the simple, linear strength of Arts and Crafts and the nature inspired shapes of Art-Nouveau. Notable features of many entrances to Paris Metro stations are the graceful Art-Nouveau iron and glass forms decorating the stairs and pavements surrounding the subway openings. Designed by Hector Guimard at the turn of the (20th) century the design must have been a refreshing change to the prevailing over-ornamented classical style of the time. Reminiscent of dragonfly wings and eyes, the green verdigris finish was considered more German than French, making these the latest controversial additions to the Parisian landscape. And yet we would not imagine the city without them today. I cannot see these entrances without sensing the presence of Toulouse Lautrec or Aristide Bruant, and hearing somewhere the sounds of an accordionist.
This particular entrance in the Rue de Rivoli is in one of my best loved parts of the city. The Louvre Museum is, of course, one of the most well known landmarks in the area, but do not miss the Museum of Decorative Arts , seen in the background of this image. For those visitors interested in acquiring a few antiques of their own (jewellery being a speciality of many dealers), the nearby Louvre des Antiquaires is well worth a visit of at least a few hours, but be warned to leave your wallet and credit-cards behind unless you intend buying, for the temptation will otherwise prove irresistible. Trust me.
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