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Paris is one of the most photographed and photogenic cities on the planet. With a little pocket camera I arrived to record my first ever visit. Converting my prints to digital, and despite scanning at the highest resolution available, the imperfections of these shots became more obvious. I decided to use post processing software to sharpen them, with even sadder results ... and then I applied a watercolour filter. The almost impressionist results were magic. Judge for yourself.

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Wednesday, March 3, 2010

Paris - Axe Historique - La Défense


Plate V - Grande Arche view of the Axe Historique
If I have one recommendation for any first time visitor to Paris it is to start your visit, whether you are here for one day or several, with a familiarization viewing of the city from the top of the Grande Arche. Although I was to make several unforgivable (but enjoyable) ‘blunders’ in planning my city wanderings, you will truly get a feeling for the siting of everything you will see or want to see during your time here. This is to Paris, what the London Eye has become to that other nearby capital across the channel.
The almost nine and a half kilometer precision of the historical axis (and indeed Haussman’s city plans radiating from Etoile) becomes apparent with the view from here. Proceeding from La Défense along the Ave. de la Grande Armée, through the Arc de Triomphe, along the Champs Elysées, throught the third arch (du Carrousel) and onto the Louvre, you will also understand the axe’s other name the Voie Triomphale (Triumphal Way). Some slight deviations from perfection do exist, (I have previously mentioned the almost negligible 6.33 degree rotation of the Grande Arche) the axis having been planned along the center of Tuileries Gardens rather than the Vieux Louvre (as the old palace was called). Cleverly, Haussman placed Napoleon’s Arc de Triomphe du Carrousel on the fulcrum point of the Tuileries Palace to Vieux Louvre axis, disguising the ‘fault’ of the join. Further sympathy to the axis was shown by I.M Pei in placing the equestrian statue of Louis XIV adjacent to his Pyramide in the Cour Napoléon of the Grande Louvre design – marking the furthest point of the axis.
Although I did not know it at the time of my visit, a secondary axis forms along the line of the Eiffel Tower, and the Tour Montparnasse. Notice the seemingly solid lower section of the Eiffel Tower in the picture, caused by the alignment of these two landmark city edifices. It was only while questioning the strange apparent solidity of the tower that I discovered how, through fortunate chance, I had captured this placement. It would seem however that nothing about Paris happens through mere chance.

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