What this BLOG is all about ...

Paris is one of the most photographed and photogenic cities on the planet. With a little pocket camera I arrived to record my first ever visit. Converting my prints to digital, and despite scanning at the highest resolution available, the imperfections of these shots became more obvious. I decided to use post processing software to sharpen them, with even sadder results ... and then I applied a watercolour filter. The almost impressionist results were magic. Judge for yourself.

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Thursday, June 24, 2010

Paris - Place de la Concorde - 8me


Plate LXXV Place de la Concorde
An octagonal space designed in 1755 by Jacques-Ange Gabriel under Louis XV the Place was an annex of the Tuileries gardens. At some 86,500 square metres it is the city’s largest square. First called Place Louis XV, it became known as the Place de La Revolution during the eponymously named uprising, and although reputedly the site of the guillotine according to popular legend, in truth it was only one of many sites used for public executions where M Guillotine’s invention so efficiently did her work. Heads that were lost here include Louis XVI and his queen Marie Antoinette, Robespierre and Danton. Its present name was assumed after the Reign of Terror.
The twenty three metre high, hieroglyphics decorated obelisk (said to mark the spot where the guillotine was erected), was given to France by Egypt in 1829 and comes from the tomb of Ramses II in Thebes. It is more than three thousand years old. Transporting the stone to France was logistically challenging, and the story of its journey is diagrammed on its pedestal.
The most notable features of the Place de la Concorde are the magnificent fountains immortalized by Hollywood in the award winning film An American in Paris where a stylistically represented version became the setting for the climactic ballet sequence featuring Gene Kelly and Lesley Caron.
Fronting the Pont de la Concorde can be seen the Palace Bourbon, named after the Duchess of Bourbon (daughter of Louis XIV), and today the seat of the French National Assembly. Begun by the architect Giardini in 1722 it was continued by Lassurance, to be eventually completed in 1728 by Aubert and Gabriel. The present façade, creating a symmetrical element with the facing Église de la Madeleine was built for Napoleon by Poyet in the early nineteenth century. Many fine works of art adorn the interior, including Delacroix’ cycle The History of Civilisation in the library.

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