Paris - Château de Vincennes - 12me

Plate XCVII - Chateau de Vincennes …

I have broken a self imposed rule of posting pictures by arrondissement, firstly because Vincennes is very much on the edges of the city, and secondly because, sadly, my visit here was towards the end of my stay in Paris making its placement seem appropriate. With only a few evenings and half weekend ahead of me there was still so much I wanted to do. What would it be – Disneyland Paris, Parc Asterix or Vincennes? Having been disappointed by the Bois de Boulogne, I decided that the Bois de Vincennes would perhaps bring some compensation; Disneyland was a definite no-go - I’ll keep American culture for trips to America, bad enough that I had to be confronted with both a Disney store and the ubiquitous McDonalds on the Champs Elysées. (Such, sadly, is part of the price of globalisation). The Parc devoted to the plucky little Gaul we know as Asterix was tempting, but a dip into the history of Chateau de Vincennes convinced me there simply was no contest – for it is at Vincennes that so much French royal history and culture has it early records.

The Château itself, again open to the public, was closed during my trip and so I had to be contented to admire it from the exterior walls. The towering Donjon (52 metres), started in April 1361, is certainly impressive.  The first recorded royal hunting dwelling here dates back to the early eleventh century. It was however during the reign of Louis IX (St Louis) in the thirteenth century that its royal residence status became more widely acknowledged, and it was from here that Louis set out on his crusades. Main work on the Châtelet of the donjon was probably completed in 1369 in the reign of Charles V, who was born and who died here. It was here too that the Relics of The Passion (supposedly Christ’s Crown of Thorns) were held following their acquisition from the Emperor of Constantinople and prior to their transfer to Ste. Chapelle in Paris. Vincennes fell out of royal favour during the reign of Louis XIII as attention began to focus on Versailles. Following the destruction of the Bastille during the revolution, prison overcrowding became an issue in Paris, and in 1790 the National Assembly decreed that the donjon was to be at the disposal of the city. Rumours of the construction of a new Bastille at Vincennes had workers marching on the donjon to bring about its destruction, an act prevented by General Lafayette during events known as the ‘Affaires de Vincennes’. The Château became the headquarters for the Chief of Staff of the Armed Forces from 1936 until 1940 when it was occupied by German troops, who inflicted heavy damages on the buildings on their withdrawal in August 1944. Restoration of the Château has been ongoing since 1988.

A porcelain manufactory established in Vincennes in 1738 by migrants from Chantilly, was later moved to the suburban town of Sèvres under the patronage of Louis XV and Madame de Pompadour. We’ll visit there shortly.

Paris – Notre Dame Rose Windows - 4me

Plate XXX - Notre Dame, the Rose Windows...

Arguably the three most remarkable features of Notre Dame are the organ, the bells and the stained glass rose windows. Look out for the stylized souvenir glass jewellery pendants of the windows sold in shops in the vicinity of the Cathedral. Many are pure tourist tat but others, available at the better jewellery shops, are exquisite in their detail.

This outside view of the south transept windows was taken from the Rive Gauche. An exterior view, although giving a good indication of the size of the lower window, gives little indication of the magnificence of the colour and light when seen from inside the church.

Since childhood I have been a lover of the art of the stained glass artisan; I finally incorporated some lead-light windows in the design of the first house I had built. Although my personal preference is for work in the style of LC Tiffany and the Art Nouveau and Arts and Crafts exponents of the work, I have untold admiration for the secular works of the European practitioners, many dating back as far as the Middle Ages. Not only are the designs remarkable, but the hand-painted detail of the faces and the figures of subjects is exceptional. Notre Dame and the nearby Sainte Chapelle offer the aficionado a master class in design and technique.